The best match in the history of the WWF. This highly influential match was considered an instant classic by both fans and critics and was named 1987’s Match of the Year by both Pro Wrestling Illustrated and the Wrestling Observer.

o melhor das aulas de filosofia com joaquim rodrigues…

…..« Some of them get blended in with the fluttering crowd, they throw themselves body and soul, just as in empty space»…..

L’Homme Aux 1000 Visages is that inflexible eye, invariably tense, lying in wait, some kind of immanent witness of his time and also the one of many times to come.

L’Homme Aux 1000 Visages is a reincarnated and multiple identity, cast in front of the incredulous defender of a backward-looking and decadent oddball.

L’Homme Aux 1000 Visages is being manipulated by:

TeorEm (Vocals, Electronics, Sampler)
ELode rEivaX (Vocals, Keyboards)
MephO (Guitar, Electronics)
MoRse (Electronic drums, Vocals, Turntables)
CapTain CaverN (Turntables, Electronics)

It had to be foreseen that, considering the reassuring collapse of popular music genres, a new impetus disreguarding codes and actual conventions would bloom. Its sound culture stretches from the first electro-acoustic researchers up to extemporized music, exploring hip-hop music and its most experimental branches ; rock music (the post one rather) and the most abstract achievements of electronic music. And not forgetting the great french poets of the past century…

From this jumble, its polymorphous universe gushes out. It resuscitates an actual musical landscape (not very adventurous) in which creation is rhyming with affiliation, submission and deal.

L’Homme Aux 1000 Visages is an assembly made of five independent activists who preferred a collective action rather than single representations hidden behind their computers.

L’Homme Aux 1000 Visages has the ephemerical as vocation: its music is decided on stage where risk taking is necessary. It is stage’s voice.

It is high time for L’Homme Aux 1000 Visages to start expressing himself and to spread his truth !!!

…..« Some of them get blended in with the fluttering crowd, they throw themselves body and soul, just as in empty space»…..

L’Homme Aux 1000 Visages is that inflexible eye, invariably tense, lying in wait, some kind of immanent witness of his time and also the one of many times to come.

L’Homme Aux 1000 Visages is a reincarnated and multiple identity, cast in front of the incredulous defender of a backward-looking and decadent oddball.

L’Homme Aux 1000 Visages is being manipulated by:

EteRom (Vocals, Electronics, Sampler)
ELode rEivaX (Vocals, Keyboards)
MephO (Guitar, Electronics)
MoRse (Electronic drums, Vocals, Turntables)
CapTain CaverN (Turntables, Electronics)

It had to be foreseen that, considering the reassuring collapse of popular music genres, a new impetus disreguarding codes and actual conventions would bloom. Its sound culture stretches from the first electro-acoustic researchers up to extemporized music, exploring hip-hop music and its most experimental branches ; rock music (the post one rather) and the most abstract achievements of electronic music. And not forgetting the great french poets of the past century…

From this jumble, its polymorphous universe gushes out. It resuscitates an actual musical landscape (not very adventurous) in which creation is rhyming with affiliation, submission and deal.

L’Homme Aux 1000 Visages is an assembly made of five independent activists who preferred a collective action rather than single representations hidden behind their computers.

L’Homme Aux 1000 Visages has the ephemerical as vocation: its music is decided on stage where risk taking is necessary. It is stage’s voice.

…..« Some of them get blended in with the fluttering crowd, they throw themselves body and soul, just as in empty space»…..

L’Homme Aux 1000 Visages is that inflexible eye, invariably tense, lying in wait, some kind of immanent witness of his time and also the one of many times to come.

L’Homme Aux 1000 Visages is a reincarnated and multiple identity, cast in front of the incredulous defender of a backward-looking and decadent oddball.

L’Homme Aux 1000 Visages is being manipulated by:

TeorEm (Vocals, Electronics, Sampler)
ELode rEivaX (Vocals, Keyboards)
MephO (Guitar, Electronics)
MoRse (Electronic drums, Vocals, Turntables)
CapTain CaverN (Turntables, Electronics)

It had to be foreseen that, considering the reassuring collapse of popular music genres, a new impetus disreguarding codes and actual conventions would bloom. Its sound culture stretches from the first electro-acoustic researchers up to extemporized music, exploring hip-hop music and its most experimental branches ; rock music (the post one rather) and the most abstract achievements of electronic music. And not forgetting the great french poets of the past century…

From this jumble, its polymorphous universe gushes out. It resuscitates an actual musical landscape (not very adventurous) in which creation is rhyming with affiliation, submission and deal.

L’Homme Aux 1000 Visages is an assembly made of five independent activists who preferred a collective action rather than single representations hidden behind their computers.

L’Homme Aux 1000 Visages has the ephemerical as vocation: its music is decided on stage where risk taking is necessary. It is stage’s voice.

It is high time for L’Homme Aux 1000 Visages to start expressing himself and to spread his truth !!!

…..« Some of them get blended in with the fluttering crowd, they throw themselves body and soul, just as in empty space»…..

L’Homme Aux 1000 Visages is that inflexible eye, invariably tense, lying in wait, some kind of immanent witness of his time and also the one of many times to come.

L’Homme Aux 1000 Visages is a reincarnated and multiple identity, cast in front of the incredulous defender of a backward-looking and decadent oddball.

L’Homme Aux 1000 Visages is being manipulated by:

EteRom (Vocals, Electronics, Sampler)
ELode rEivaX (Vocals, Keyboards)
MephO (Guitar, Electronics)
MoRse (Electronic drums, Vocals, Turntables)
CapTain CaverN (Turntables, Electronics)

It had to be foreseen that, considering the reassuring collapse of popular music genres, a new impetus disreguarding codes and actual conventions would bloom. Its sound culture stretches from the first electro-acoustic researchers up to extemporized music, exploring hip-hop music and its most experimental branches ; rock music (the post one rather) and the most abstract achievements of electronic music. And not forgetting the great french poets of the past century…

From this jumble, its polymorphous universe gushes out. It resuscitates an actual musical landscape (not very adventurous) in which creation is rhyming with affiliation, submission and deal.

L’Homme Aux 1000 Visages is an assembly made of five independent activists who preferred a collective action rather than single representations hidden behind their computers.

L’Homme Aux 1000 Visages has the ephemerical as vocation: its music is decided on stage where risk taking is necessary. It is stage’s voice.

It is high time for L’Homme Aux 1000 Visages to start expressing himself and to spread his truth !!! …

Music video by Allen Ginsberg performing Ballad Of The Skeletons: With Newsreel Footage
(C) 1996 The Island Def Jam Music Group

read by john turturro
& allen ginsberg

from “the source”

We finally make it past some blue Wizzrobes before a Gleeok does us in

Intro for the famous C64 group Legend.